神经电影学视野下的电影音乐接受效果研究-注释-王娅姝,王宜文,刘瑾-网络文艺课-爱读网
注释
作者:王娅姝,王宜文,刘瑾      更新:2020-08-17 20:09      字数:797
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    12  作者注:有关ISC方法的详细论述,参见:[美]乌里·哈森等. 神经电影学:电影中的神经科学. 张婉宜译. 当代电影,2018,(2):30—36.

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    15 作者注:实验中有1名被试因个人原因未能完成测试,Session1播放过程中有3人头部移动超过5毫米,Session2播放过程中有4人头部移动超过5毫米;最终,实验在Session1部分采集到16人的有效脑部数据,Session2部分采集到15人的有效脑部数据。在此基础上,实验形成此次研究的脑成像数据集合。

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    28 Gilles Deleuze. The Brain is the Screen. trans Gregory Flaxman. The Brain is the Screen: Deleuze and the Philosophy of Cinema. Minneapolis: University of Minnesota Press, 2000. 373.

    本文选自《电影艺术》2020年第4期